DanceLife Magazine
2025
holidays, they gave us the perfect opportunity to showcase our talents— usually on the stage of a local school hall. Unlike the polished competitions seen in North America, Aussie eisteddfods carry a sense of nostalgia
first-time performers. Dancers aren’t rushed on and off stage; there’s time to watch others perform, to connect backstage, and to build friendships with kids from neighbouring studios. This kind of laid-back setting fosters camaraderie rather than rivalry—a win for dancers of all abilities.
and community that creates a meaningful and memorable experience.
Most eisteddfods are run entirely by volunteers, some of whom have dedicated their time for decades. These are the people who remember your tap solo music from last year, who hand out handmade pastries to nervous dancers, and who genuinely care about creating a space where people can come together to celebrate dance. The commitment of these volunteers —many now in their 80s and 90s— means these events haven’t drastically changed in structure or style over the years, which is part of what makes them so special. Retirees, former dancers, and long-time community members all chip in. Even those without children in the arts find a sense of purpose and connection through their involvement.
Dancers come back to class feeling encouraged and inspired. Parents build stronger bonds with each other. And studio owners get to be part of something bigger than a single score sheet (still written by hand by a volunteer scribe!). Financially, eisteddfods also make a positive impact on their local areas. Because they are community-run, the funds raised stay in town. They’re often reinvested into scholarships, community arts grants, or opportunities for local dancers to travel for supplemental training. Of course, competing in commercial competitions offers variety, excitement, and aspirational experiences. But there is also real (continued next page)
Eisteddfods offer a more relaxed and grounded environment, especially for
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